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DateLecture
02 April 2020Raphael: a Master in the Making (2020 marks 500th Anniversary of his death) - CANCELLED
14 May 2020The Other Side: Counter Memorials - Germany’s post-WWII Culture of Apology & Atonement - CANCELLED
11 June 2020From Garbo to Garland – the magical art of Hollywood - POSTPONED until 24 November
09 July 2020Turner vs Constable: the great British paint-off - POSTPONED until 14 January 2021
17 September 2020Mr Barry’s War: rebuilding the Houses of Parliament
08 October 2020Art Transported: How did it get here from where it was made? Who owned it before?
12 November 2020Pompeii: Digging Deeper with the Muddy Archaeologist
24 November 2020From Garbo to Garland - the magical art of Hollywood
14 January 2021Turner vs Constable: the great British paint-off

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Raphael: a Master in the Making (2020 marks 500th Anniversary of his death) - CANCELLED Sian Walters Thursday 02 April 2020

Raphael is often referred to as one of the three giants of the High Renaissance in Italy, alongside Michelangelo and Leonardo da Vinci, yet his fame and position in the canon of art history may seem hard to explain. He made no discoveries like those of his celebrated rivals: although undoubtedly a draughtsman of exceptional talent he made no great progress in the fields of anatomy, science and construction nor did he share the wide-ranging talents which Leonardo and Michelangelo demonstrated in so many disciplines. Furthermore, his career was short-lived as he died tragically young, aged only 37. Yet in this relatively short space of time Raphael managed to move from humble initial commissions in and around his home town of Urbino to the covetous position of one of the leading artists at the court of the most important patron in Italy, Pope Julius II, for whom he created some of the most sublime and influential frescoes of the early 16th century. We explore how Raphael achieved this extraordinary rise in status, tracing the development of early works and influences to the masterpieces created in Rome.

Sian Walters studied at Cambridge University. She is a lecturer at the National Gallery and The Wallace Collection and taught at Surrey University, specialising in 15th and 16th century Italian painting, Spanish art & architecture, and the relationship between dance and art. Sian also teaches private courses, and organises lectures, study days and art holidays abroad. She has lived in France and in Italy, where she worked at the Peggy Guggenheim Museum in Venice.

Our lectures start at 8pm. Bar opens at 7pm.